"Comprised largely of photographic works, von Zwehl’s exhibition is both an analysis and celebration of Ambras’ encyclopaedic
holdings as well as the Wunderkammer form itself. In keeping with the diverse nature of its collection, von Zwehl has included multiple bodies of her own work, which, although
relating to specific collections, sites and time periods, function as coherent strands within this conceptual framework."
From the Exhibition Catalogue essay - Polysemy, Hybridity and Scale in
Bettina von Zwehl’s Wunderkammer
by Ciara Ennis.